ARTIST AT SEA: Ben Cosgrove ~ Over and Under

At the time I’m writing this blog post, Research Vessel Falkor has set off from Vietnam and we are now in the middle of the South China Sea. I stood on the top deck this morning as the sun came up and marveled at the utter uniformity of the solid horizon line that completely encircled us. I’ve never been at sea before, so this experience is deeply strange to me. Nowhere I’ve ever been – not even the flattest part of Kansas or the most central part of the Bonneville Salt Flats – has been so crushingly expansive or disorienting.

Early Maps


Inside the ship, I’ve continued to be mesmerized by maps of the ocean floor, and have read up a little bit on their history. Seafloor mapping (a field in which Falkor now plays an important roleAt the moment, I’m especially grateful for the added perspective provided by maps like Tharp’s. It’s enormously strange to try and orient oneself within an environment like the one I would see from the deck if I were to run up there right now: any sense of scale I can muster from here could be derived only from the gigantic freighters that pass and by a rough assessment of how quickly the sizes of the ripples and swells around us recede into the distance. It’s stranger still to look at a map like this and remember that by stepping onto this ship in the port, I merely arranged to keep myself at an altitude of 0 feet: the land just got lower, and we floated above it. It’s remarkable and weirdly edifying to know that those canyons and peaks lie distantly beneath us, even when all I can see in any direction is unyieldingly flat, blue, and bright.

From ocean to inbox

Select at least one list to join

First Name *
Last Name *
Email *